Adolf Hitler was appointed chancellor of Germany on January 30, 1933. Soon afterwards, Germany’s gay and lesbian communities came under pressure and scrutiny from the new regime. For men accused of homosexuality, this worsened over the course of the 1930s. They faced brutal persecution. Shutting Down Lesbian and Gay Meeting Places Her husband reacted surprisingly well too, suggesting that they enrol in therapy to help both of them exit their long-standing relationship. I took this as my cue to make a commitment and said I would move to the suburbs to be with her and her three children, once her husband had moved out.

Part revenge tale and part redemption song, Lizzie took years for indie darling Chloe Sevigny ( Boys Don't Cry, Big Love, Love and Friendship) and out writer Bryce Kass to shepherd to the screen. Although there were several iterations along the way, the final version of the film about the ax killer from the tiny town of Fall River, Mass., couldn't have come at a timelier moment. A film that shares a lineage with the queer true crime-based films of the '90s like Heavenly Creatures and Sister My Sister, Lizzie is a fresh take on the "murderous lesbians'" trope. The movie also fits right in with the #MeToo era, with Lizzie and her maid/love interest/co-conspirator Bridget (Kristen Stewart) literally bashing toxic masculinity in the face. It remains a research challenge to find historical sources related to lesbian experiences under the Nazi regime. Various right-wing and centrist political groups, as well as mainstream religious organizations, sought to counter this aspect of Weimar culture by promoting their own version of German culture. This version was rooted in classical music and literature, religion, and the family. In some cases, these groups blamed others for corrupting German culture. They blamed, for example, Jews, Communists, and Americans. Nazi Attitudes towards Homosexuality Because there was no single law or policy that applied to sexual relations between women, lesbians had a wide range of experiences in Nazi Germany. These experiences were not solely determined by their sexuality. Rather, other factors shaped lesbians’ lives during the Nazi era. Among them were supposed “racial” identity, political attitudes, social class, and gender norms. Based on these factors as well as others, some lesbians (especially those who were working class) were imprisoned or sent to concentration camps. In these instances, they were classified as political prisoners or asocials. Jewish lesbians largely faced Nazi persecution and mass murder as Jews. In most cases, their sexuality was a secondary factor. The Germans and their collaborators murdered an unknown number of Jewish lesbians during World War II. Before the Nazis: Lesbians in the Weimar Republic In the camps, women who self-identified or were identified as lesbians did not wear the pink triangle. Instead, they wore badges that corresponded to the official reason for their arrest and internment. Sexual Relations between Women in Concentration Camps

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Whenever Todd Haynes’ unspeakably beautiful Patricia Highsmith adaptation comes to mind, it brings some of the novel’s last words along with it: “It would be Carol, in a thousand cities, a thousand houses, in foreign lands where they would go together, in heaven and hell.” In that light, a spot on a list of the decade’s best films hardly seems like much of a reach. Some women engaged in sexual relations with their fellow female prisoners. It is important to note that such relations do not always fit neatly within the category of “lesbianism.” This is because not all women who engaged in same-sex relations were lesbians. Some women developed same-sex relationships and later described them as a source of comfort in the camps. Others even saw them as necessary for survival.

During the Weimar era, Germans publicly challenged gender and sexual norms. This was especially true in big cities such as Berlin, Hamburg, and Frankfurt am Main. Weimar’s Lesbian Networks and Communities There's a slow and persistent burn in Mona Fastvold's The World to Come. The gorgeously spare period piece stars Katherine Waterston ( Alien: Covenant) as Abigail and Vanessa Kirby ( The Crown) as Tallie, two women battling the harsh elements in 19th-century New York State who find solace and a whole lot more in one another. More than half a century after Patricia Highsmith's groundbreaking 1952 novel The Price of Salt/Carol was released, Todd Haynes's big-screen adaptation Carol became revolutionary in its own way. The film, starring Cate Blanchett as the titular Carol, a soon-to-be-divorced New Jersey socialite and mother who falls for Rooney Mara's Therese, the shopgirl who is, as Carol notes, "flung out of space," earned six Oscar nominations, even if it was snubbed in the Best Picture category. Still, it was the first Oscar-worthy love story about a female couple in which a man does not steal focus and that doesn't end in disaster or death for the women. In fact, the novel and the film's hopeful ending offers a possible happily-ever-after for Carol and Therese.Sexual relations between women were taboo for much of German society. Neighbors, family members, and friends sometimes disapproved of and thus denounced the women involved to the police. It is possible they did not realize that sexual relations between women were not illegal. In some of these cases, the police dismissed the complaints because they had no legal basis. Hirschfeld and others also sought to educate the public about sexuality. For example, they promoted Hirschfeld’s ideas that homosexuality is inborn and not a vice or perversion. I’d come out when I was 17 and been disowned by my parents. I’d moved to London and been in and out relationships and casual flings. She was 40 and had been married for 10 years, with three children under the age of 10. The agency we worked for also represented her husband, an esteemed writer, so I knew I absolutely couldn’t go there.